Madras Cafe: Intercept The Half-Truth

By Karthick RM
The author is a research scholar at the University of Essex, UK

26 August, 2013
Countercurrents.org

Some sections of the Indian media may be going gaga over the ‘realistic’, ‘non-dramatic’ film ‘Madras Cafe’ of Shoojit Sircar. Some have, rather shamelessly, compared it to Zero Dark Thirty - in reality, GI Joe: Retaliation is a more gripping watch. While the poor sense of aesthetics of these pseudo-critics is lamentable, their contempt for history as it happened leaves much to question.

Selective history, grand conspiracy theory, not-so-subtle Indian patriotism all go into the making of a movie that principally exonerates India from all culpability of the brutal war crimes committed against the Tamils by the IPKF. From the start till the end, the subtext of the movie is to project India, a nuclear power state with the fourth largest army in the world, as a victim of the LTTE. For the record, at the height of the IPKF-LTTE war, over 100000 Indian soldiers armed to the teeth confronted about 3000 LTTE cadres. Despite this, India lost.

"They were powerful. In this game, we lost our prime minister, and the Lankan Tamils, their future," confesses RAW agent Vikram Singh (played by John Abraham) to a Christian priest. The entire movie is the confession of Vikram to the priest, from his activities as a RAW agent in IPKF occupied Jaffna, to the failure of the RAW to break the LTTE, to their failure to stop Rajiv Gandhi’s assassination.

The numerous atrocities suffered by the Eelam Tamils under the IPKF, the murders, tortures, rapes and disappearances, do not form part of his confession. Thus, no mention of the same in the film. On the other hand, the reel LTTE are shown as fanatics, who even murder the wife of Vikram in India in their attempts to get to him. I am yet to hear of a single case where the real LTTE has deliberately targeted the family of officers or soldiers of even the genocidal Sri Lankan military.

The LTTE, shown in the film as Liberation of Tamils Front (LTF), are shown as some intransigent armed rebel group that has support of the local population. Why did the armed struggle come about, what did the Sinhala state do to create such a situation, why did the Tigers oppose the Indian solution of 13th Amendment, why did the Tamil people stand with the ‘rebel group’, and what did the IPKF actually do in the course of its intervention – these are questions not even considered by the filmmaker. But the words “provincial council elections” are repeated to the point of being a slogan throughout the movie. Contrast this with the bare minimal usage of the word ‘Sinhalese’ in the movie – it is as if they had no role to play at all. The tagline for the movie was “Intercept the truth”.

The first half of the film is concerned with the RAW agent’s covert operations in Jaffna. These include scenes that allude to RAW’s role in supporting Tamil groups antithetical to the struggle for Tamil Eelam, the Mahattaya split and so. Of course, the intelligence failure in the famous ‘Jaffna University Helidrop’ is underplayed, though the filmmaker grudgingly acknowledges the superior intelligence of the Tigers at that time.

The second half of the movie, concerned with the Rajiv Gandhi assassination, is actually banal. Other movies like ‘Mission 90 Days’ have covered the subject with more intensity, and with far more venom. Madras Cafe tells us that its LTF was a foot-soldier of foreign forces in carrying out the plot.

Anna Bhaskaran, the movie’s celluloid version of Pirapaharan, tells in an interview to British journalist Jaya (a sad allusion to the Indian journalist Anita Pratap)

To be fair to the movie, it has its share of laughs. 
For instance, the scene where Jaya interviews Anna in English and the leader of the Tamil struggle responds to it – in Hindi.

The line best suited for the context of Madras Cafe, however, is Alfred Tennyson’s "That a lie which is half a truth is ever the blackest of lies".