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Tamil Nadu: The Chera, Chola, and Pandya kings believed in H-M synthesis

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Tamil Nadu: The Chera, Chola, and Pandya kings believed in H-M synthesis Empty Tamil Nadu: The Chera, Chola, and Pandya kings believed in H-M synthesis

Post by Guest Thu Nov 23, 2017 12:01 am

Tamil Muslims contributed their best to the local culture. The Chera, Chola and Pandya rulers patronised Islam and donated lands for places of worship. The 734 AD mosque in Tiruchi (near railway station) is proof that Muslims lived in this area since eighth century . Though they identify closely with Tamil culture in many respects, their manners, customs, dress, food and festivities have been influenced by Islam. In other words Tamil and Islam have been synthesised in such a manner. Arab Muslim traders and the native Tamil converts to Islam in Tamil Nadu came into closer contact as a result of their commercial activities.


Islam was the common religion but there were two different languages — Tamil (Dravidian language) and Arabic (semitic language). A link language — Arabu-Tamil — emerged when they started to write Tamil in an adapted Arabic script. 


Arabic settlers in Tamil Nadu learnt Tamil through Arabic script and wrote Tamil in Arabic script. Arwi or Arabu-Tamil is an Arabic influenced dialect of Tamil written with an extension of the Arabic alphabet with extensive lexical and phonetic influences from Arabic.


The Arwi language and literature provided a kind of platform to learn Islamic teachings. 


Works of noted Islamic scholars such as Al-Ghazzali were translated into Arwi by Sayyid Muhammed Alim Pulavar apart from a number of translations of Friday sermons in Arwi.


In the words of Edgard Thurston, Arabu-Tamil is a literature developed for educating Labbai and Maraikkar children. 


Certain words, mostly of religious connections, and those that are used regularly, have been introduced. The origin of this literature may be traced to Kayalpatnam, Melapalayam and other important towns of Tirunelveli district.


The earliest Muslim Tamil literary works could be traced to the 14th century in the form of Palsanthmalai. In 1572, Shaik Ishaq, known as Vanna Pariala Pulavar, published Aayiram Masala detailing Islamic principles and beliefs. In 1592, Aali Pulavar wrote Mikurasu Malai. The epic, Seerapuranam, by Umar Pulavar in the 17th century, is still considered a crowning achievement. Classic Tamil literature bears evidence of the Arab contact in the literary works such as Paththu Pattu and Ettuthogai. 


Ghazals, which originated in Persia, were introduced in Tamil by Kavikko Abdur Rahman. 
Even Qawwali singers of the State used Tamil words profusely , it is learnt.


The origin of Arabic Tamil goes beyond the eighth century and it fills the vacuum found in the literary history of Tamil speaking Muslims. 
“Tamil culture is naturalistic, secular and humanistic. It professes universal brotherhood,” concludes Zubair, quoting a classical Tamil poet.


http://www.thehindu.com/books/books-reviews/research-on-tamil-muslims/article19125378.ece

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Tamil Nadu: The Chera, Chola, and Pandya kings believed in H-M synthesis Empty Re: Tamil Nadu: The Chera, Chola, and Pandya kings believed in H-M synthesis

Post by Guest Thu Nov 23, 2017 12:22 am

Rashmun wrote:Tamil Muslims contributed their best to the local culture. The Chera, Chola and Pandya rulers patronised Islam and donated lands for places of worship. The 734 AD mosque in Tiruchi (near railway station) is proof that Muslims lived in this area since eighth century . Though they identify closely with Tamil culture in many respects, their manners, customs, dress, food and festivities have been influenced by Islam. In other words Tamil and Islam have been synthesised in such a manner. Arab Muslim traders and the native Tamil converts to Islam in Tamil Nadu came into closer contact as a result of their commercial activities.


Islam was the common religion but there were two different languages — Tamil (Dravidian language) and Arabic (semitic language). A link language — Arabu-Tamil — emerged when they started to write Tamil in an adapted Arabic script. 


Arabic settlers in Tamil Nadu learnt Tamil through Arabic script and wrote Tamil in Arabic script. Arwi or Arabu-Tamil is an Arabic influenced dialect of Tamil written with an extension of the Arabic alphabet with extensive lexical and phonetic influences from Arabic.


The Arwi language and literature provided a kind of platform to learn Islamic teachings. 


Works of noted Islamic scholars such as Al-Ghazzali were translated into Arwi by Sayyid Muhammed Alim Pulavar apart from a number of translations of Friday sermons in Arwi.


In the words of Edgard Thurston, Arabu-Tamil is a literature developed for educating Labbai and Maraikkar children. 


Certain words, mostly of religious connections, and those that are used regularly, have been introduced. The origin of this literature may be traced to Kayalpatnam, Melapalayam and other important towns of Tirunelveli district.


The earliest Muslim Tamil literary works could be traced to the 14th century in the form of Palsanthmalai. In 1572, Shaik Ishaq, known as Vanna Pariala Pulavar, published Aayiram Masala detailing Islamic principles and beliefs. In 1592, Aali Pulavar wrote Mikurasu Malai. The epic, Seerapuranam, by Umar Pulavar in the 17th century, is still considered a crowning achievement. Classic Tamil literature bears evidence of the Arab contact in the literary works such as Paththu Pattu and Ettuthogai. 


Ghazals, which originated in Persia, were introduced in Tamil by Kavikko Abdur Rahman. 
Even Qawwali singers of the State used Tamil words profusely , it is learnt.



The origin of Arabic Tamil goes beyond the eighth century and it fills the vacuum found in the literary history of Tamil speaking Muslims. 
“Tamil culture is naturalistic, secular and humanistic. It professes universal brotherhood,” concludes Zubair, quoting a classical Tamil poet.


http://www.thehindu.com/books/books-reviews/research-on-tamil-muslims/article19125378.ece

good to know that ghazals and qawwalis are a part of Tamil musical culture, and not just North Indian musical culture. I suppose in a similar manner ghazals and qawwalis became a part of the musical culture all over South India.

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